My personal projects always seem to take ages to get off the ground. I suppose this is because all the work that leads up to getting funding has to happen in the gaps between everything else, not least designing shows for other people. Which I love doing and I get paid for. I’m not complaining. Still, getting a project underway takes a while and this one is taking even longer.
I had the idea for a project about English radical history around eight years ago, I think. At any rate, it was while I was directing A Place at the Table. Our stage manager at the time, Peter Barnett, was another fan of folk music. I remember discussing the exciting new idea with him, so I can roughly date it. This was also roughly around the same time as the Black Smock Band emerged from a series of gay folk nights in Vauxhall. A lot has happened since, with the far right seemingly in the ascendent, but even then it felt as though the narrative of dissent and radicalism in English history needed a bit of rescuing, from all that nonsense about how the Empire wasn’t so bad really and migrants are ruining our way of life. (Quite how you can hold both beliefs at once I don’t know. Anyway.) A major part of what we do as a band is explore the links between then and now, often updating traditional songs to explore their resonances to our contemporary social or political situation. Oh and making them less bloody heteronormative. It made sense to bring these two things – the band and the idea of a performance around English radical history – together. Continue reading
I wasn’t a passionate supporter of the EU until the referendum made me stop and think. The thing I really valued highly was my European citizenship. The freedom to travel and to work in the EU. The sense of being part of of an expanding world. Of taking a small step towards that Star Trek dream of united Earth. But I could see that the Union’s democratic structures were as flawed as the UK’s, that the Euro was being torn between the very different economies of the richer and poorer nations, and that sometimes the bureaucracy could slide into absurdity. Plenty to criticise. Plenty to reform.
Then came the referendum. So I did my homework and it swiftly become evident that it was overwhelmingly in our best interests to remain. Not only because of the direct political and economic benefits to the UK but also the strategic benefits in the fight for social justice. Chief among these was that a Leave result would fuel the fanatics: not just the anti-European ones but the racists, antisemites and Islamophobes. Other forms of bigotry too, no doubt. As for the UK’s political and economic interests, the reasons have been given thousands of times in thousands of articles. The Guardian seems to be running several post-mortems a day in its opinion section. I’m not going to go over all that again.
Instead, I am going to talk about my personal experience. Why? Because I want you to know that we’re not enemies. And then I want to talk about how we can move on. Politicians and media alike have painted us as opposites in some kind of culture war. I disagree. I think we’ve fallen out over a big misunderstanding. Continue reading
I wrote a piece for the National Theatre Wales Community Blog about my work for Light Waves Dark Skies by We Made This. There’s a one-off performance at Pontardawe Arts Centre, tonight. PAC was also a partner in making the project. Then next week we’re at Chapter Arts Cardiff.
It’s a lovely show (I’m biased, but I think I’m right about this!), about the sea, star-gazing and dealing with loss. The blog’s about my design process. Here’s a link: Continue reading
My main occupation is scenography. I design sets, costumes and video for performance; mainly new writing and devised work. I love the collaborative nature of theatre but I think it’s important to maintain a personal fine art practice alongside it, not necessarily for public exhibition or sale but in order to keep asking myself who I am as an artist and what I have to offer my collaborators. So when it came to finding something to show at Bow Arts Open Studios 2016, I decided to share some of this work. Continue reading
I feel as though I should write something personal to explain why I’m so hurt and bewildered by what has just happened. Especially since plenty of people seem to think folks like me should shut up. In the lead-up to the vote I focused on facts; on the direct disadvantages of leaving and the possible political consequences. I didn’t make it personal; I’m involved with politics because I care about our country and the wider world. I would never normally make the kind of argument I’m about to make now. I’m even going to try, for once, to resist discussing the bigger implications. But these are exceptional times.
Firstly, however, let’s remind ourselves that this wasn’t an election for politicians who can do only limited damage over only a limited period; it was a decision with massive, long-term ramifications. These are not only political. Many of the consequences put severe limits on our personal freedoms; so for those of us who embraced those freedoms, the decision to leave the EU restricts the way we live our lives and, as I’m going to argue, is a kind of censoring of the way we see ourselves. Continue reading
I’ve tended to be quite ambivalent about the EU in the past. But I now find myself pretty passionate about staying in. I wanted to articulate why.
One thing to get out of the way first. If conventional economics are your thing then the economic arguments for the UK staying in the UK are overwhelming. Even som’eone without much economic expertise – like our Chancellor, say – can see that. Conventional economics is clearly a load of cobblers though. Look at what a complete mess it’s making of, well, everything; it’s a mix of ideology (the invisible hand of the market will work for the common good? Yeah, right!), guesswork (cos trickledown will definitely happen) and a ridiculously unscientific attitude to growth and the planet’s resources. So I’m moving on to the more serious stuff right away. Continue reading
This is something I’ve been working on for a while. It has come out of the East storytelling project, which brings together a fantastic group of people from all sorts of backgrounds to share stories and songs. We decided to create an online archive of our material and then open it up to others who might like to add to it (get in touch if you’d like to contribute).
Anyway, we’re still adding to it and improving it (the tagging system will be more detailed for one thing) but it’s live now and we had an official launch last night to celebrate. So come and have a look! Continue reading