Green Panic!

Green Panic!

In case you missed it, some arts people on the interwebs (and presumably the real world too) are in high dudgeon, claiming it’s the end of the Green Party’s moral integrity forever and ever because, in a policy document on the website it says… well, let me copy and paste:
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A Bigger Splash: Painting after performance – a personal response

A Bigger Splash: Painting after performance – a personal response

(Originally published in Blue Pages, the journal of The Society of British Theatre Designers)

Visiting A Bigger Splash: Painting after Performance, currently at Tate Modern, is an odd experience for a theatre designer. The exhibition interrogates the relationship between performance and painting – and, in fact, other visual media – from a variety of angles, sometimes tenuously but almost always in a way that is engaging and thought-provoking. However, it does this entirely within the frame of reference of visual art. It is as if performance outside the art gallery either does not exist or is merely a cultural phenomenon to be knowingly referenced; not a major group of art-forms that have their own evolutions, their own traditions and their own avant-garde movements. Yet we, as theatre designers, are engaging with many of the same issues as the artists in the exhibition, and with no less professionalism and integrity.

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Visual artists as Theatre Designers: a response

Visual artists as Theatre Designers: a response

(Originally published in Blue Pages, the journal of The Society of British Theatre Designers)

The original Guardian article, to which this responds, can be read here.

“Why don’t more visual artists do theatre?” This was the somewhat alarming headline introducing a Mark Lawson article in The Guardian in July. The piece itself was more nuanced. Crucially, he accepts that “stage design is clearly a form of art” and narrows “visual artists” down to “full-time painters and sculptors”. Nonetheless, there is something very fundamentally wrong with the underlying assumptions. I would argue that this is because we see ourselves not as jumped up scene painters, out of our depth in complexities of visual art, but as amphibians – operating fully in both visual and performance environments.

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