Crowdfunding Awkwardness

So… this is tricky.

It’s not often I do any crowdfunding for things I’m working on. But now two crowdfunding drives have come along at once. Oops.

One is for the theatre company I run, Daedalus. We need some funds to move our community storytelling project East online. If you follow me on social media, you’ll know about that because I’ve been posting about quite a lot.

And now there’s Ecostage, an initiative led by a group of theatre designers to foster sustainable practice in the performing arts. I’ll be telling my social media followers more about that over the coming days, and doubtless post something here too.

But for now, I want to say why I think crowdfunding is the right thing to do.

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SLICE: London-Lahore

(Originally published in Blue Pages, the journal of The Society of British Theatre Designers)

Slice: London-Lahore is in an experimental project in a very real sense. As well as providing a framework to allow artists from two cities to respond to their built environment, it tests methods for long-distance collaboration. As has been reported in Blue Pages, I have previously visited the now defunct Theatre Department of the Pakistani National College of Arts to share ideas about teaching design, run workshops and seminars and, on my second trip, to design a show. But travelling is expensive, time-consuming, polluting and often fraught with red tape. Slice: London-Lahore offers an alternative approach.

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