(Originally published in Blue Pages, the journal of The Society of British Theatre Designers)
Designing for deaf audiences brings very specific, practical challenges but also opens up huge new possibilities. As Deafinitely Theatre’s artistic director, Paula Garfield explains,
Deafinitely Theatre’s style is to be visual and so for me what we bring is that visual storytelling and I don’t just mean British Sign Language. I want to see the story happen visually on the stage to make it clear for any audience. That is why the design is so important as it compliments that visual storytelling element.
This production of A Midsummer Night’s Dream came about as a result of the success of Deafinitely’s production of Love’s Labour’s Lost for the Globe to Globe season two years ago. Deafinitely’s inclusion in Globe to Globe clearly signposts British Sign Language not just as a tool for accessibility but as a language in its own right. And what’s particularly exciting to a designer is that BSL is a visual language. Globe to Globe and Deafinitely also share a vision of productions transcending their specific languages, whether BSL, Italian or Guajarati; our production was very specifically conceived as being for a mixed deaf/hearing audience.